Keroncong
111works
289pressings
1906first year
Works per year
Pressed in
Formats
Format by decade
| Format | 1940s | 1950s | 1960s | 1970s | 1980s | 1990s | 2000s | 2010s | 2020s |
|---|---|---|---|---|---|---|---|---|---|
| Vinyl | · | 100% | 100% | 88% | 55% | · | · | · | 33% |
| CD | · | · | · | · | 5% | 69% | 92% | 67% | 33% |
| Cassette | · | · | · | 12% | 32% | 31% | 8% | 11% | · |
| File | · | · | · | · | · | · | · | 22% | 33% |
| Shellac | 100% | · | · | · | · | · | · | · | · |
Sounds like
Most-pressed works
| Title | Artist | Year | Pressings |
|---|---|---|---|
| Krontjong Ensemble "Pantja Warna" | Pantja Warna | 1968 | 10 |
| Krontjong | Suara Bintang Baru | 1968 | 8 |
| Heimwee Naar Insulinde | George de Fretes | 1966 | 7 |
| Keronchong Gems | Ivo Nilakreshna | 1970 | 6 |
| Songs From The Moluccas In Krontjong Beat | Rudi Pirngadi | 5 | |
| Keronchong Salina 3 | Salina (2) | 1969 | 5 |
| Mariati | Orkest Krontjong Ijandra Aju | 4 | |
| Keroncong Vol. 3 | Hetty Koes Endang | 4 | |
| Papaja Cha Cha / Marijamah | Adikarso | 4 | |
| Gitaar Berboenji / Terang Boelan | Miss Ninja | 1936 | 4 |
| Mawar Merah Dalam Irama Krontjong | Orkes Krontjong Mustika | 1968 | 4 |
| Keronchong | Salina (2) | 1968 | 4 |
| Keronchong Salina 2 | Salina (2) | 1969 | 4 |
| Sarinande | Aida Mustafa | 1969 | 4 |
| Pop Keroncong Vol. 2 | Hetty Koes Endang | 1978 | 4 |
| Excursions In World Music | Various | 2008 | 4 |
| Excavated Shellac: An Alternate History Of The World's Music | Various | 2020 | 4 |
| Koleh Koleh / Boenga Hatie | Krontjongband Indische Club Amsterdam | 3 | |
| Keroncong Asli | Hetty Koes Endang | 3 | |
| Lagu-Lagu Kroncong Favourite's Vol 2 | Mus Mulyadi | 3 | |
| Pulau Bali / Rayuan Pulau Kelapa | Che' Momo | 1948 | 3 |
| Malam Keronchong Asli | Orkes R. Maroeti | 1968 | 3 |
| Walang Kekek | Waldjinah | 1968 | 3 |
| Keronchong Pearls | Annie Landouw | 1969 | 3 |
| Gado Gado | Ivo Nilakreshna | 1971 | 3 |
Listen
Built from the Discogs monthly data dumps (CC0), snapshot 2026-09-01. Counts are of catalogued works and pressings, not of listening.