Afro-Cuban Jazz
1,461works
8,739pressings
1939first year
Works per year
Pressed in
Formats
Format by decade
| Format | 1940s | 1950s | 1960s | 1970s | 1980s | 1990s | 2000s | 2010s | 2020s |
|---|---|---|---|---|---|---|---|---|---|
| Vinyl | 19% | 93% | 96% | 91% | 63% | 12% | 12% | 30% | 61% |
| CD | · | · | · | · | 19% | 72% | 78% | 54% | 25% |
| Cassette | · | · | · | 6% | 17% | 12% | 2% | · | · |
| File | · | · | · | · | · | · | · | 10% | 9% |
| DVD | · | · | · | · | · | 1% | 3% | 2% | · |
Sounds like
Most-pressed works
| Title | Artist | Year | Pressings |
|---|---|---|---|
| Caravanserai | Santana | 1972 | 229 |
| Borboletta | Santana | 1974 | 142 |
| Cole Español | Nat King Cole | 1958 | 112 |
| Still Life (Talking) | Pat Metheny Group | 1987 | 96 |
| Herbie Mann At The Village Gate | Herbie Mann | 1962 | 82 |
| Mi Tierra | Gloria Estefan | 1993 | 81 |
| Buena Vista Social Club | Buena Vista Social Club | 1997 | 81 |
| Buena Vista Social Club | Buena Vista Social Club | 68 | |
| Hatari! (Music From The Motion Picture Score) | Henry Mancini | 1962 | 65 |
| We Insist! Max Roach's Freedom Now Suite | Max Roach | 1961 | 63 |
| The Best Of Cugat | Xavier Cugat And His Orchestra | 1961 | 63 |
| Night Passage | Weather Report | 1980 | 61 |
| Yellow Moon | The Neville Brothers | 1989 | 60 |
| A Little Bit Of Mambo | Lou Bega | 1999 | 60 |
| Afro-Cuban | Kenny Dorham | 1955 | 54 |
| Percussion Bitter Sweet | Max Roach | 1961 | 46 |
| Drum Suite | Art Blakey & The Jazz Messengers | 1957 | 39 |
| Escenas | Ruben Blades | 1985 | 39 |
| Mambo No.5 (A Little Bit Of ...) | Lou Bega | 1999 | 38 |
| Azteca | Azteca | 1972 | 35 |
| Vamonos Pa'l Monte | Eddie Palmieri | 1971 | 33 |
| Grupo Irakere | Irakere | 1974 | 33 |
| The African Beat | Art Blakey & The Afro-Drum Ensemble | 1962 | 32 |
| Mi Tierra | Gloria Estefan | 1993 | 32 |
| Orgy In Rhythm (Volume One) | Art Blakey | 1957 | 30 |
Listen
Built from the Discogs monthly data dumps (CC0), snapshot 2026-09-01. Counts are of catalogued works and pressings, not of listening.