DJ Battle Tool
538works
1,477pressings
1981first year
Works per year
Pressed in
Formats
Format by decade
| Format | 1980s | 1990s | 2000s | 2010s | 2020s |
|---|---|---|---|---|---|
| Vinyl | 87% | 85% | 78% | 88% | 82% |
| CD | 6% | 13% | 15% | 5% | · |
| File | · | · | 2% | 4% | 12% |
| Cassette | 6% | · | 3% | · | · |
| CDr | · | · | 2% | 2% | · |
Sounds like
Cut-up/DJTurntablismInstrumentalBreaksSpecial EffectsBreakbeatTechnicalHip HopJazzy Hip-HopElectroBoom BapHip-HouseThug RapHardcore Hip-Hop
Most-pressed works
| Title | Artist | Year | Pressings |
|---|---|---|---|
| D'ya Like Scratchin' | Malcolm McLaren | 1983 | 22 |
| The Godfather | Spoonie Gee | 1987 | 19 |
| Battle Breaks | Psychedelic Skratch Bastards | 1992 | 15 |
| Toasted Marshmallow Feet Braxe | Darth Fader | 1995 | 15 |
| Bionic Booger Breaks | Darth Fader | 1993 | 13 |
| Super Seal Breaks | Skratchy Seal | 2000 | 13 |
| All-Star Breakbeats Volume 1 | Norman Cook | 1990 | 11 |
| Rap Music Live 1999 | Various | 2000 | 11 |
| Battle Wax Vol.1 | DJ Rectangle | 10 | |
| I Can Make You Dance | Richie Rich | 1989 | 10 |
| Super Seal 3D | Skratchy Seal | 2009 | 10 |
| Rockin' On The Go Go Scene | Richie Rich | 1989 | 9 |
| Beats, Breaks & Scratches Volume 5 | Simon Harris | 1990 | 9 |
| The Original Wildstyle Breakbeats Album | DJ Black Steel | 1990 | 9 |
| Dirtstyle Deluxe Shampoo Edition | DJ Flare | 1997 | 9 |
| Superseal | Skratchy Seal | 2013 | 9 |
| Frosted Breaks | DJ Rectangle | 8 | |
| Gorilla Beats N' Scratches | DJ Rectangle | 8 | |
| Beats, Breaks & Scratches Volume 4 | Simon Harris | 1989 | 8 |
| Beats, Breaks & Scratches Volume 6 | Simon Harris | 1990 | 8 |
| Beats, Breaks & Scratches Volume 7 | Simon Harris | 1991 | 8 |
| 100mph Backsliding Turkey Kuts | Darth Fader | 1998 | 8 |
| A Trip To St. Elsewhere | Gnarls Barkley | 2007 | 8 |
| Best Of Skratchy Seal | Skratchy Seal | 2010 | 8 |
| Beats, Breaks & Scratches Volume 3 | Simon Harris | 1989 | 7 |
Listen
Built from the Discogs monthly data dumps (CC0), snapshot 2026-09-01. Counts are of catalogued works and pressings, not of listening.