Tamil Film Music
42works
93pressings
1962first year
Works per year
Pressed in
Formats
Format by decade
| Format | 1960s | 1970s | 1980s | 1990s | 2000s | 2010s | 2020s |
|---|---|---|---|---|---|---|---|
| Vinyl | 100% | 100% | 83% | 40% | · | 33% | 100% |
| CD | · | · | · | 20% | 75% | 67% | · |
| Cassette | · | · | 10% | 40% | 25% | · | · |
| Box Set | · | · | 7% | · | · | · | · |
Sounds like
Most-pressed works
| Title | Artist | Year | Pressings |
|---|---|---|---|
| The Golden Voice Of Thyagaraja Bhagavathar | M. K. Thyagaraja Bhagavathar | 1965 | 5 |
| Sweet Notes Of Subbulakshmi As Sakuntalai | M.S. Subbulakshmi | 1967 | 3 |
| Ninaithalae Inikkum | M. S. Viswanathan | 1979 | 3 |
| Azhage Unnai Aaraathikkiren | Ilaiyaraaja | 1979 | 3 |
| Payanangal Mudivathillai (Tamil) | Ilaiyaraaja | 1982 | 3 |
| Gentleman | A.R. Rahman | 1993 | 3 |
| Solla Solla | Ilaiyaraaja | 2011 | 3 |
| Kathalikka Neramillai | Viswanathan Ramamoorthi | 2 | |
| Kathalan / Duet / May Madham | A.R. Rahman | 2 | |
| Pava Mannippu / Palum Pazhamum | Viswanathan Ramamoorthi | 1962 | 2 |
| Konjum Salangai (Tamil) | S.M. Subbiah Naidu | 1962 | 2 |
| Veerapandiya Kattabomman | G. Ramanathan | 1962 | 2 |
| Anbe Vaa | M. S. Viswanathan | 1966 | 2 |
| Kandhan Karunai | K. V. Mahadevan | 1967 | 2 |
| Devotional Songs From Tamil Films | Various | 1969 | 2 |
| Ulagam Sutrum Valiban | M. S. Viswanathan | 1973 | 2 |
| Sweet Songs That Stay For Ever | M. K. Thyagaraja Bhagavathar | 1977 | 2 |
| Thai Pirandhal Vazhi Pirakkum = தை பிறந்தால் வழி பிறக்கும் | K. V. Mahadevan | 1977 | 2 |
| Ninaithalae Enikkum | M. S. Viswanathan | 1978 | 2 |
| Sikappu Rojakkal | Ilaiyaraaja | 1978 | 2 |
| Annai Ore Aalayam | Ilaiyaraaja | 1979 | 2 |
| Thisai Mariya Paravaigal | M. S. Viswanathan | 1979 | 2 |
| Jhonny | Ilaiyaraaja | 1980 | 2 |
| Alaigal Oyvatillai | Ilaiyaraaja | 1981 | 2 |
| 民族音楽大集成（１・２） = Anthology Of World Music (Vol 1. & 2.) | Various | 1981 | 2 |
Listen
Built from the Discogs monthly data dumps (CC0), snapshot 2026-09-01. Counts are of catalogued works and pressings, not of listening.